St George Of The Cross . Salvidor Dahli.Bought by The Kelvingrove Art Gallery & Museum in 1952 (Glasgow) For £8,200.And all copy right images.The former curator was friends with Dahli.It caused an uproar at the time, the Glasgow Art School labeled it as an waste of money.Now it's Priceless,and has made an fortune from prints postcards etc.The image below is Dali's village.
Isn't that Christ of St John of The Cross? The curator, incidentally, was Tom Honeyman; he did indeed become friends with Dali but only after the purchase of this piece, having successfully argued that it was a better use of the gallery's money than an exhibition room devoted to local artists. It remains my favourite of Dali's works and proves that no matter what one thinks of his subjects and style, he was a draughtsman almost beyond compare.
He made friends with Dahli before the purchase was made.They had met in London previously, where Dahli turned up dressed in an diving suit (the old type with the round helmet) They struck up a close friendship, the reason Honeyman was offered the painting first.Your correct with the title, the name i wasn't sure about when i posted.It now has an purpose built viewing room.
@Coldo I suspect, as is the case with so many incidents and aspects on Dali's life, there may well be more than one version of when and how they met, as Dali did rather like to obfuscate the truth. They may well have been acquainted with one another since the International Exhibition of Surrealism in London (where Dali wore the diving helmet and nearly asphyxiated ) but I don't recall ever reading of them being friends [bbc.co.uk]. It also appears that the painting already had a catalogue list price of £12,000, which proves it had been up for sale before Honeyman bought it rather than being offered first to him - my guess would be that, as the painting is so radically different to the crucifixions that came before it, selling it in such a staid time the 1950s proved a hard task so Dali, who was a man as famous for his love of money as for his art and in no doubt at all of his talent, very unusually decided to knock a third off the price. Honeyman wisely snapped it up and shrewdly nabbed the copyright too; it was only later, when Dali heard how spirited Honeyman had been in justifying the purchase to his bosses, that they became friends.
@Coldo You can imagine him getting home that night and telling his wife... "I had this foreigner with a really strange moustache in the shop today, Muriel - said he needed a diving helmet to plumb the depths of the subconscious, or something like that. Right funny bugger, he were. What's for dinner?"